Viva Zapata! (1952)

Viva Zapata! tells the story of the legendary Mexican revolutionary, Emiliano Zapata.  He was a historical figure who helped fight for the rights of poor Mexican farmers during the early 20th century.  Zapata helped lead the peasant farmers in a revolution against the corrupt and oppressive government.  Zapata in this film is portrayed as a reluctant but successful leader who is determined to fight for justice. 

 

As the film opens, we see a group of peasant Mexican farmers petitioning the president, Diaz, to return their land back to them.  Zapata is among the group of farmers.  The president responds with an answer that is only meant to appease the farmers but he is not really concerned with actually helping them.  This angers Zapata and he speaks up.   Diaz then writes Zapata's name down on a list.  Traveling on the road back, Zapata rescues a prisoner from the military and as a result, becomes a wanted outlaw.  After encouragement from an exiled rebel, Mader, Zapata helps to lead a rebellion against the Mexican government.  The farmers are eventually successful and Madero, the fellow revolutionary becomes the new leader of the government.  However, Madero is assassinated by his own general.  Zapata hesitantly steps up as the new leader. Later on in his new position, a similar experience occurs as to the one in the very beginning of the film.  But this time the roles have reversed.  The scene shows a group of farmers making a complaint to the president, Zapata, and he responds to them the same way Diaz responded to him.  Zapata realizes what that he is becoming just like all the other before him and he decides to step down as leader and return home.  A new leader takes his place who is encouraged to have Zapata killed.  Zapata is tricked into meeting with the new regime and they have him gunned down and Emiliano Zapata dies. 

 

 

After the supporters of Zapata find his dead body, they refuse to accept that he is in fact dead.  They make a statement saying "you can't kill an idea" and they choose to believe, rather, that he is in the mountains.  A shot of Zapata's horse is then shown on the side of a mountain.  This signifies that the spirit of Zapata will live on for he had inspired others to fight for what they believe in as well.  He left a legacy and his followers were going to continue in his foot steps.

Some broader themes that can be seen in this film are the common themes of good vs. evil and individual vs. society.  Zapata is portrayed as good, while the dictator presidencies are the bad.  Interestingly though, the movie shows how power can go to one's head and as a result make a good person turn evil.  This is seen with Zapata's brother and Zapata himself.  Zapata does not necessarily turn evil but he starts to head down that past after he is made president.  Fortunately he realizes his mistake and corrects himself, which is not the case for his brother. 

Some were displeased with the outcome of this movie, believing it to be a very inaccurate portrayal.  The movie is based off of real historical events and much of the events and characters depicted in the film are true to history.  However, there is some fictionalization incorporated into the story.  For example, the character Fernando Aguirre was completely created for the film.  But he was created to serve the purpose of illustrating the evil and corrupt aspects of the Mexican Government.  Also being an American made movie, anti-Communist elements were incorporated into the movie which did not exist in the real story.  The film was produced in the US in the 1950s, in the middle of the Cold War.  This movie was produced more as a vehicle to convey a message to America during this time than it was to recount a history lesson. Despite some inaccuracies, many feel that Viva Zapata! does accurately depict the spirit of Zapatismo.

I think this is a pretty successful film.  I think the U.S. got their message across while still making an informative and entertaining movie. I think you definitely can take away some important historical pieces of information from the film.  You almost get a double dose of history.  You get to learn about the Mexican Revolution with the infusion of American post World War II elements. Viva Zapata! helped give me a better sense of what the rural people of Mexico were fighting for during their revolution.

The Motorcycle Diaries (2004)

The film The Motorcycle Diaries is based on the real life diary of a young Ernesto "Che" Guevara.  It follows the Argentines, Guevara and his friend Alberto Granado, as they travel via motorcycle across South America on a quest for adventure and medical experience.


As the film begins, Ernesto Guevara is just a young college student who is about to graduate from medical school.  He is packing for his upcoming trip through South America.  He and his friend are going to go through all of the major tourist destinations but their ultimate destination is a leper colony located in Peru, where they will be able to study the disease and gain experience. Initially they are both looking for fun and excitement.  Soon after there departure, they begin to realize that their trip is not all that easy.  They encounter harsh climates, trouble with locals, and witness the sufferings of others.

The goal of this film is to show the experiences that Che Guevara went through that contributed to making him the man he later became.  A few of the major incidents portrayed in the film that really impacted Guevara were the encounters with the Communist mining couple, the poor indigenous populations, and the leper colony.

Ernesto meets a poor Communist couple while traveling through the Atacama desert.  They befriend the couple and the couple tells Guevara and Granado of their troubles.  They explain that have been persecuted for their political beliefs and cannot find work. They are on their way to a mine in the hopes that one of them will be selected for work.  Guevara and Granado follow them to the mine and witness the harsh reality of the job scarcity.  They see dozens of people gathered all with the same hope of being selected.  However, only a few are needed.  The man in charge chooses a few and the rest are told to go home, which angers Guevara.  Guevara later reveals to Granado that he gave the couple the stash of money he had been saving.

After this, while traveling through the Andes Mountains in Peru, the two witness the poverty of the indigenous peoples.  This deeply effects Guevara and Granado.  This makes Granado say he would like to start a peaceful revolution in South America in hope of helping the indigenous populations.  Guevara responds by saying, "A revolution without guns? It will never work."

The last stop on their journey is the leper colony.  The leper colony is divided into two sides, separated by a river.  The doctors and medical staff live on one side and the lepers live on the other. As soon as Guevara and Granado arrive, they refuse to wear gloves and instead chose to shake the lepers hands with bare skin.  Guevara bonds with all of the people at the colony, doctors and patients alike.  He is even able to befriend the most stubborn and tough patients.  Guevara has a birthday the night before they are to leave the colony.  The doctors and nurses throw him a party on their side of the river and the lepers are not able to attend.  While Guevara does have a good time at his party, he wants to spend time with the patients as well.  Therefore, he swims across the whole river in the middle of the night and spends the night on the leper side.  The next morning, everyone is sad to see Guevara go.

After each of these three incidences, we can see more of a change in Guevara each time.  His demeanor changes as well as his goals. He becomes extremely sympathetic for those  less fortunate and has a strong desire to help them.  He seems to almost become disturbed by all of the suffering he has witnessed.  He goes from being a young man looking for fun to becoming an adult with a whole new outlook on life.

Personally, I enjoyed this film very much.  I found it pleasant to watch as well as interesting and informative.  It takes a different approach to the Che Guevara most people think of.  Instead of focusing on his later and more infamous life, it centers on the things that effected his beliefs during his youth.  Prior to this movie, I knew nothing about Che Guevara's younger years. I learned a lot about him from this film.  I also especially liked the fact that this film is based on the real life memoirs of Guevara himself.  That makes for a more accurate interpretation and portrayal.  Overall, I would consider this to be a successful historical film.

The Mission (1986)

The Mission is a film that tells the story of the conflict that occurred between a Jesuit mission against the Spanish and Portuguese during the 1750s.  The film begins with a Spanish mercenary and slaver, Rodrigo Mendoza, returning home from an excursion.  He arrives to find that his lover is now in love with his brother.  As a result, he kills his brother in a sword fight.  His extreme guilt from killing his brother leads Mendoza to become a Jesuit priest as penance.  He follows a fellow priest, Father Gabriel to Paraguay to a mission for the Guarani Indians.  This mission is a sanctuary for the Indians.  They are able to work and live in peace and without having to fear for their lives because their location is under Spanish rule. However, during Mendoza's stay, the Treaty of Madrid is passed. This redistributes the land granted to Spain and Portugal.  The mission would then become under Portuguese jurisdiction and the Portuguese allowed the enslavement of the Indians.  The Jesuit priests and the Guarani decide to not go down without a fight.  Mendoza teaches the Indians how to fight.  They are soon attacked by Spanish and Portuguese officials.  Mendoza and his makeshift army fight back but are mostly unsuccessful.  Father Gabriel refuses to fight as it would go against his vows.  He stays with a group of Guarani singing hymns in the midst of the battle.  The majority of the priests and Guarani are killed, including Mendoza and Father Gabriel.  However, a few children are able to escape into the woods.

 

One of the broad themes seen in this film is good vs. evil.  The Jesuit missionaries in this film are the obvious good side, while the Portuguese slavers are the evil side.  However, in this case, good does not prevail.  The evil side is the one that comes out victorious in the end.  Another broad theme is that of redemption.  The main character, Mendoza starts out in the film as a mercenary and slaver.  He makes a decision to change his ways and actually becomes like a brother to same group he was once persecuting.  He even gives his life in order to protect him, and he is able to die a noble death doing a good and sincere deed.  We also see some elements of the individual versus society.  The individual here would be Mendoza and his mission versus everyone else.  They seem to be alone in the world but are still going to fight for what they believe in.  They can't even get the Cardinal to support their side.

 

I think one of the main goals of this film was to educate people on an interesting historical event and to do so in a way that would capture the audience's attention.  The Mission is a very informative film and it is based off of real life occurrences.  The movie is based on the events surrounding the Treaty of Madrid which was enacted in 1750.  In this treaty,  Spain gave up part of Jesuit Paraguay to the Portuguese.

 

This movie, however, has its share of historical inaccuracies.  The filmmakers play into black legend and white legend.  The use of black legend is seen in the Portuguese officials and slavers.  White legend is personified here in the Jesuit priests.  The film shows the Jesuit priests defending the indigenous groups to the point of death.  In reality, while the Jesuits did try to defend the Guarani, the Jesuit priests abandoned the converts before actual fighting began.  The Guarani actually fought for themselves in a three year long war with the Portuguese. Which leads us to another inaccuracy.  The period of fighting portrayed in this film is very short.  It seems as though the European officials come one day, kill practically everyone, and the issue is settled.  But in real life, the conflict between the Guarani and Portuguese lasted much longer and was much more drawn out. 

 

In conclusion, I would say that this is a fine historical film.  It is not perfect as it does contain some accuracy errors but that is probably in order to make a more interesting movie and to create a more epic seeming battle. But as a whole, it does help to teach its viewers about a major historical event, the Treaty of Madrid, and goes to show how poorly the indigenous population was treated after the arrival of Europeans, all of which really did happen.  And it is able to do so in a very moving way.

Lucia (1968)

The film Lucia is a Cuban film that was produced in support of Communism.  The film is divided into three distinct segments, each having a different female lead character with the same name - Lucia.  The first segment takes place in the era of independence for Cuba (1895-1898).  The second is set during the early 1930's during the era of Machado and the failed revolution.  The last segment takes place during the Communist Construction era from 1966-1970.  In this post, I will be discussing the first and last segments of Lucia.

The story of the first Lucia is a very melodramatic portrayal of an aristocratic Cuban lady and her ill-fated romance.  Lucia is a wealthy Cuban who catches the eye of a new-comer in town, Rafael  The two instantly fall in love and begin spending much time together.  While at Lucia's family dinner, Rafael reveals that he is half Spanish and half Cuban but claims he is impartial to either side in the war, rather he sympathetic for both sides.  At this same dinner, Rafael learns that Lucia's family owns a coffee plantation.  He inquires to the plantation's whereabouts, however, Lucia says that no one knows how to get there.  Later, we are informed that Lucia's brother Felipe is part of the Cuban war of independence, fighting on behalf of the Cubans.  Lucia keeps this piece of information a secret. 

In the guise of wanting to run away with Lucia, Rafael convinces Lucia to disclose the location of the coffee plantation.  While, Lucia is sneaking through the city streets in the wee hours to meet Rafael, she is confronted by a homeless lunatic.  Supposedly, this lady was a former nun who was raped on the battlefield while performing last rites for what she thought were dead soldiers.  She tries to warn Lucia not to meet Rafael, but Lucia does not heed this warning.  As she and Rafael arrive at the plantation, they are met by an army of Spanish troops.  Lucia realizes that the whole love affair was a trick.  A battle ensues and Lucia's brother is one of the Cuban casualties.  After this devastation, Lucia later sees Rafael in the street and stabs him to death.

The last Lucia tells a story of two Cuban newlyweds living in the Communist Construction era.  This segment incorporates elements of slapstick comedy.  Lucia and Tomas are a young couple who have recently been married.  At the beginning, their relationship is full of love, playfulness, and sex.  However, Tomas soon becomes possessive and abusive towards Lucia.  He is jealous and in order to keep her away from the attention of other men, he makes Lucia quit her job and does not allow her to leave the house.  Lucia soon tires of this and longs to return to her job.  Tomas attends a town meeting that promotes Communist ideas, one of these being literacy.  As Lucia cannot read, a government official is sent to their home in order to teach her.  Tomas becomes insanely jealous of this man.  More fighting between the couple erupts.  Finally, Lucia leaves Tomas and returns to working in the fields.  At the end, Tomas finds Lucia and wants her back.  The film ends with the couple fighting each other on the beach while a little girl onlooker laughs, indicating hope for the future.

The main goal of this film really is to promote Communism and illustrate the relationship between class and nation, at the same time presenting all of this information in an artistic manner.  It presents the progression of Cuba from a capitalist nation to a socialist society. And this was done through the progression of social classes.  With the first Lucia we see the aristocratic society fighting for their independence.  The people in Lucia's realm are dressed in imported Victorian clothing and their features reveal them to be of European descent.  By the third Lucia, we see a total transformation of Cuba.  The characters in this segment come from a mixture of racial backgrounds.  The main character herself is a mulata.  The emphasis seen here in this section is of working and being productive.  It also tries to teach people that the old ways are gone and that Cuba is changing. Flavio and Angelina try to explain this to Tomas who is old-fashioned.  They tell him he needs to let his woman work.  An important aspect of Cuba's Communist Revolution was the valuing of the working classes and the demonization of the aristocracy.  The director of this film used media to promote these Communist ideas. 

 

Camila (1984)

The movie takes place in 1847 Buenos Aires during the dictatorship of Juan Manuel de Rosas. It focuses on the young and wealthy, Camila O'Gorman, who eventually falls in love with the Jesuit priest, Father Ladislao Gutierrez. The two begin a forbidden love affair. They run off together to another town but are soon discovered by a mutual acquaintance. They are given till the next morning before they are arrested in order to allow them to escape.  However they choose not to run and are put in prison. Her family begs him to show mercy but Camila's father writes and asks the governor to give his daughter the death penalty. At the end, even though Camila has discovered that she is pregnant, both of the lovers are shot by a firing squad.

Camila provides much insight into Latin American culture during the 19th century.  Life in nineteenth-century Argentina is accurately depicted in this film.  We see the oppression of women. The women in the film wear veils to cover their faces and spent much of their time at home or at church. The film also shows them wearing Victorian style clothing, which was common during this era. The wealthy wore clothing imported from Europe. We see the influence of the dictator Juan Manuel de Rosas. The Argentinians are shown with bits of the color red on their clothing in obedience to Rosas. We also see other elements of Latin American culture, such as siesta.

There are several important themes seen in the film.  For one, we see throughout the film a general condemnation of dictatorship, specifically the dictatorship of Rosas. The relationship between Camila and her father mirror the regime of Juan Manuel de Rosas.  And Camila speaks out against both of them.  Camila's father is a harsh and violent man who demands total obedience from his family.  An example of his cruelty is at the beginning of the film, Adolfo O'Gorman catches Camila playing with a litter of newborn kittens.  He then has these kittens put in a bag and drowned.  He also locks his own mother up out of disapprove and does not allow her any visitors, not even her own grandchildren.  He rules through a climate of fear, much like Rosas. Evidence in the movie of the iron fist that Juan Manuel de Rosas is the incident with the books. Camila is shown borrowing books from a man in the town. Later in the film, Camila is walking down the street and sees that he has been murdered and his head displayed on a pole. This was done by the regime as a result of the censorship, including book control, imposed by Rosas.

Another main theme that we see is an argument for a strong role for women. Camila is the strong female character that breaks the traditional gender roles of this time period.  In 19th century Argentina, women were restricted and were not looked upon equally as men.  Women were though to have two options in life: either marry or become a nun.  Adolfo O'Gorman at one point in the film even remarks that, "A single woman is chaos. Marriage is order."  Women were expected to be quiet.  They were expected to be modest.  In the film, we see the women covering their heads with shawls and bathing with a slip covering their bodies. They spent much time at church. And they were expected to obey these social norms. Camila is the exact opposite of these norms. She is a rebel. She knows who she is and what she wants.  She doesn't let societal rules dictate who she can love. While the other women accept everything blindly, Camila questions things. This includes questioning her father and the dictator. An example of this happens at the dinner table when Camila makes a remark about how it was wrong for the bookkeeper to be killed and she is immediately reprimanded by her father.
 
Overall, I would consider this a very successful film. It makes a strong case against oppression and presents this argument in an intense way. It helps to show people what life was really like during this time. I think it is some way a celebration of the people like Camila who would not back down and were willing to stand for what they believed in, whether this be love or political freedoms.

The Three Caballeros (1944)

The Three Caballeros is a Disney production that was made in 1944. This cartoon features three personified birds from three varying locations across the Americas. The film explores the western hemisphere and what it has to offer. At first glance, the film seems like a nonsensical and confusing cartoon, but when studied closer, this film reveals a lot about the relationship between the United States and Latin America during the mid 20th century.

The film is divided into seven different segments. The first couple of segments are educational reels that help teach about the different, if somewhat stereotypical, aspects of Latin American culture.  The first segment is entitled "The Cold-Blooded Penguin." This story follows Pablo the Penguin and his trip from the Antarctic to the tropical, warm Galapagos Islands. The second part is called "The Flying Gauchito."  This tells the story of a little Uruguayan cowboy and his winged donkey named Burrito. The next segment, "Baia," includes a long song and dance routine that takes place in Brazil.  It is here that we see the mood change. The film changes from education to promotional.  Luring Americans, namely men, to this land of beautiful women. Aurora Miranda sings a long song while Donald falls in love.  At the end of this scene, he receives a kiss from the singer. After this comes "Las Posadas," switching the theme back to educational. This part of the film explains the tradition where Mexican children reenact the journey of Mary and Joseph during Christmastime. Here we also get an explanation of pinadas.

The final segments place even greater emphasis on the beautiful women that can be found in South America. The movie becomes surprisingly sexual for a children's cartoon, almost inappropriate at times. These segments include "Mexico: Patzcuaro, Veracruz, Acapulco," "You Belong to My Heart," and "Donald's Surreal Reverie."  The Mexico segment is a long segment that has Donald and Jose touring Mexico on a flying sarape. They stop to see some traditional Mexican dances.  They next visit a beach full of pretty ladies wearing two-piece swimsuits. Donald is smitten and tries chasing the women down in order to kiss them but fails every time.  In "You Belong to My Heart" features singer Dora Luz performing the title song and Donald falls in love with her as well. The final segment is a long scene full of wackiness and, of course, women. The entire ending is a crazy mesh of special effects.  It includes dancing women; random Latin American elements, such as cacti and flags; and fireworks and explosions

I believe this film is setting out to serve a couple of different purposes. The first purpose is showcasing Disney's animating abilities and advancements. The first purpose serves to explain all of the bright colors and the dizzying, random cartoon sequences that don't really seem to fit. The combination of animation and live-action was quite the feat at this time and Disney packed "The Three Caballeros" full of it. The second message they are trying to convey is an underlying message of neocolonialism. During the beginning of the 20th century, the U.S. held a sort of neocolonial power of Latin America through capitalist investments. I think this film helped to reinforce these ideas.

I would say the promotion of education and travel can also be seen in the film. The film was very informative at times and presented an array of interesting and accurate facts in way that would easily catch the attention of children. It encouraged tourism to South America by enticing people with scenes of tropical beaches, beautiful women, and unique cultures.

The film also supports the idea of "machismo."  Merriam-Webster Dictionary describes "machismo" as an attitude, quality, or way of behaving that agrees with traditional ideas about men being very strong and aggressive. The idea of "machismo" is often associated with Latin American culture.  Interestingly enough, the two Latino characters, Panchito and Jose Carioca, are not the ones displaying this attitude. It is Donald Duck, the American bird.

This cartoon is a highly romanticized and exotic depiction of life south of the United States. I wouldn't necessarily consider this film to be very successful. I guess this could be considered a successful film in the terms that the creators accomplished getting their message of neocolonialism across. However, I personally found this cartoon too strange for my taste. At first glance, you don't even realize the deeper messages. It just comes across as a random, sometimes creepy children's cartoon.

1492: Conquest of Paradise (1992)

1492: Conquest of Paradise is a film that was created in celebration of the 500 year anniversary of Columbus' discovery if the Americas.  The plot involves the journey Christopher Columbus makes on his quest to find the New World and the impacts this eventually had on the indigenous people of the Americas.

The story begins with Christopher Columbus in Spain seeking funding for a westward trip to Asia.  He faces much opposition until he sparks the interest of the queen and she grants him his journey.  In return, he promises to bring back riches and gold.  He then sets out with three ships and a crew on a longer than Columbus claimed journey. When they finally reach land, they meet the natives and befriend them. Columbus befriends one native in particular and he learns to speak Spanish. Columbus return to Spain to spread the word of his accomplishments. He makes a second trip back, this time bringing some additional Spaniards, including one named Moxica. When he returns to the island, they begin the construction of a Christian City, La Isabela.  Meanwhile, we see the true character of Moxica. He is revealed as a greedy villain who has evil intentions for the indigenous people. After he cuts off the hand of a native, the natives flee into the woods. Fighting between the two groups eventually breaks out. Moxica ends up killing himself, rather than be killed by a native. Columbus is ordered to return to Spain where he is put into prison, though he is soon let out. Queen Isabella gives permission to Columbus to make one last voyage to the New World.

This film contains several faults.  For one, it is heavily reliant on White Legend. White Legend is the argument of history that praises the introduction of Christianity, democracy, and capitalism to the New World as a result of their colonization by the Spaniards. White Legend focuses on all of the good aspects of Conquest, while ignoring the deaths of the natives and the destruction of their traditional ways of life. Columbus here is pretty much the epitome of White Legend.  He is portrayed as a man who holds a paternalistic view of the natives he encountered. In the film he tries to defend the indigenous groups and is angered at their mistreatment. However, in reality, Columbus was not this kind to the Indians. According to Sonya Lipsett-Rivera and Sergio Rivera Ayala's chapter "Columbus Takes on the Forces of Darkness, or Film and Historical Myth in 1492: The Conquest of Paradise" in Based on a True Story Latin American History at the Movies Columbus supported the beheading of indigenous for minor crimes, such as stealing clothes. Rather than being concerned with the safety of the natives as portrayed in the film, Columbus was more concerned whether or not they would make good slaves to help produce more wealth. He even had native slaves of his own.

The movie portrays elements of the Black Legend as well. Black Legend is the view of history that demonizes the Spanish in regard to the conquest of the Americas. It focuses on the negative aspects such as the death of natives due to disease and violence, forced conversion to Christianity, and the destruction of traditional indigenous ways of life. The creation of the character, Moxica serves as a representation of the culmination of all of the evil motives of the Spaniards.  He is the direct counterpart to Columbus, who is the embodiment of all that is noble about the conquest. Moxica portrayed as a cruel and unfeeling Spaniard who cuts off natives hands who are not able to collect enough gold for him.

It also helps to support the Myth of Exceptional Men. According to Matthew Restall in Seven Myths of the Spanish Conquest, the Myth of Exceptional Men is the idea that the success of the exploration and conquest of the New World was a result of a handful of adventurers who used innovative strategies. While actually, these strategies and tactics were routine procedure during this time period, used by both Europeans and the indigenous rulers of the New World. Columbus is portrayed as outsider, someone who doesn't fit in with the rest of society with his grand and unique ideals. In reality, there were many men with similar goals who were all competing to find this New World.

Therefore, 1492: Conquest of Paradise is not an especially good historical film, due to its inaccuracies and biases. The film depicts Columbus in an overly-sympathetic light. They make him out to be some sort of martyr who is motivated by a passion to explore rather than the wealth. But I would still say that it is a successful film.  I think the filmmakers accomplished what they set out to do- celebrate the famous voyage of Christopher Columbus.

The Other Conquest (1998)

The Other Conquest is a film that takes place in Tenochtitlan, following the defeat of the Mexica by Hernando Cortes.  The story centers on the priest, Fray Diego de la Coruna, and the native Topiltzin.  In the film, Fray Diego takes a special interest in the conversion of a certain indigenous scribe, whom he renames as Tomas.  Fray Diego makes Tomas' conversion his own personal mission in life. We see much resistance from Tomas, who is determined to keep his traditional ways alive.

The film begins after a massacre of the great temple.  An indigenous man rises from the dead bodies and sees his mother has been slain.  We are next taken to an underground cave during a human sacrifice performed by Topiltzin's grandmother.  The natives are discovered by the Spanish.  Several are killed, but Topiltzin is captured and sent to Cortes.  Cortes is set to give Topiltzin the death penalty but his mistress Tequichpo pleads for the life of her fellow native, claiming that they are siblings, sharing Moctezuma  as a father.  He is eventually sent to a monastery in the charge of Fray Diego with Tequichpo as a teacher to show Topiltzin the way of the Europeans.  However, Fray Diego discovers Topiltzin and Tequichpo trying to reproduce and Tequichpo is put in prison.  She does become pregnant with Topiltzin's son but hangs herself while in prison.  Topiltzin becomes very ill and begins to hallucinate strange visions of the Virgin Mary and the Mother Goddess.  The Virgin Mary statue arrives at the monastery and Topiltzin becomes increasingly drawn to it.  However, he is denied contact with the statue, as it is locked in the sacristy.  As Topiltzin's condition becomes worse, Fray Diego purposely leaves the door to the sacristy open one night.  Topiltzin escapes his locked room, carries the Virgin Mary up to his window, and commits suicide by falling from his window while holding the statue in his arms.

The Other Conquest is a film that is unlike other films set in this time period.  While most others tend to emphasize either black legend or white legend, this film does neither. It takes on a different perspective.  Neither side is particularly glorified in the film.  The Other Conquest shows the brutality and intolerance with which the Spaniards treated the natives. However, the film keeps from becoming too Black Legend by incorporating the role of the sympathetic Fray Diego. It also avoids depicting the natives as innocent or willingly submissive.  It stays fairly neutral trying to convey the idea of a mutual conquest or reverse conquest rather than a total annihilation of the indigenous populations.  By the end of the film, there is clear evidence that Fray Diego has, at least to some degree, been influenced by Tomas. Tomas' influence on Fray Diego made such a lasting impression that it is Tomas' name that Fray Diego remembers on his death bed.

This movie also goes to disprove the Myth of Native Desolation. The Myth of Native Desolation claims that all the indigenous peoples of the Americas were easily converted and quickly considered themselves a part of the New European Order. This myth also has one to believe that the natives abandoned all their prior beliefs and practices and, therefore, ceased to exist as an ethnicity. The Other Conquest shows that there was much more resistance from the natives. In the film, we see the remnants of the indigenous population secretly gathering in underground caves in order to practice their traditional religious ceremonies without being persecuted.  We also see that Topiltzin is never able to fully accept Christianity. Rather he is able to see the commonalities between his religion and the Spaniards' religion.

It think that that is another theme of the movie: to show that the religious conquest was really unnecessary because both of the religions were too similar.  Both religions place an emphasis on a mother figure.  In Catholicism it is the Virgin Mary; in the Mexica religion it is the Mother Goddess.  Tomas, therefore, takes an immediate interest in the Virgin Mary.  Tomas is able to see these similarities of his religion and Fray Diego's religion.  At one point in the film, a Catholic mentions to Tomas how brutal his old religion is for sacrificing humans to appease their gods.  To this, Tomas retorts that, "you eat yours," referring to the Catholic belief of transubstantiation during communion, showing that both religions can seem strange to those who don't understand them.

The Other Conquest is a good historical film.  I depicts a much more realistic view of what probably occurred between the two very different groups during the period of conquest.  In The Other Conquest, we see not only the European  influence the Spaniards forced on natives, but also that the natives were able to influence some of the Spaniards as well.

Popul Vuh: The Creation Myth of the Maya (1987)

The Popol Vuh is a historic document that explains the creation story of the Mayan people. The film Popol Vuh: The Creation Myth of the Maya uses illustrations taken from Maya artifacts and puts them to animation in order to bring the tale to life.

The film covers several significant events. The events include the creation of the world, the creation of humans, the creation of animals, and the consequences that ensue.

The creation of humans begins with a few failed attempts. The gods, Heart of Sky and Heart of Earth, first create a race of beings that turn out to be respectful worshipers but are unable to reproduce and are destroyed by the gods as a result. The second group the gods make are made of wood without hearts or minds and they too are destroyed.

Throughout the film, various explanations are given as to why certain animals possess certain traits. We learn that the dark lords split owls mouths as punishment. The toad got its sloped back from being pushed on to forcibly spit out a louse. And rabbits lost their tails as a result of people trying to catch them.
We are also given an account of a very important ball game.
To learn more about the Mesoamerican ball game, check out this link: http://www.ancient.eu/article/604/   One day One Death and the lords of Xibalba, heard the sound of a rubber ball and sent owl to bring the ball players down to the Underworld to play against them. Two brothers, One Hunter and Seven Hunter, arrived to challenge the dark lords. The brothers were outwitted by the lords and were humiliated. The dark lords had the losers sacrificed.

The head of one of the Hunters hung in a tree that became alive and began to sprout. The tree was found by Blood Moon, daughter of a lord of Xibalba. She becomes impregnated with the sons of One Hunter and Seven Hunter. She then climbs to earth and gives birth to Hunter and Jaguar Deer, who grow up to avenge their fathers' deaths. 

On their quest of revenge against lords of the Underworld, Hunter and Jaguar Deer are faced with the Trials of Xibalba. However, they are able to overcome each obstacle put in their way. Eventually the brothers play a rematch ball game against the Dark Lords, but this time the humans are able to defeat their opponents via trickery. Despite their victory, the Lords of the Underworld kill the willing human brothers, throwing their bodies into a river. The bodies of Hunter and Jaguar Deer regenerate themselves and ultimately come back to sacrifice One Death and Seven Death in a final triumph for the brothers.
                                       
  A clip from the film:

 

The filmmaker, Patricia Amlin, seems to be taking an objective point of view in the retelling of this story. I would say that her primary goal in making this film is to inform viewers of a Consequently, the film's perspective is mainly intellectual but visionary at the same time.

 

Some things that I noticed in the film that caught my attention was the very prevalent use of trickery by the characters. This could indicate that trickery and wits were qualities held in high esteem by the Maya. Another thing that stuck out was the significance placed on Xmucane, which translates to "Our Grandmother." For this influential role to be portrayed as a female shows that Mayan also thought somewhat highly of women.

Another interesting thing I discovered while watching this film is the parallels the Maya creation stories shares with other religions more applicable in today's world, such as Judaism and Christianity. One such similarity is that the Popol Vuh mentions a destructive flood sent by the gods. Another is that Blood Moon disobeys and goes to the forbidden tree where she is impregnated by One Hunter/Seven Hunter. The grown sons that Blood Moon gives birth to are sacrificed then later resurrect from the dead. Personally, these comparisons help bring what at first glance seems completely foreign, to something more relatable to the modern cultures I'm used to.

In my opinion, Popol Vuh: The Creation Myth of the Maya is a successful film. The film was at times extremely inconclusive, vague and unclear. This makes sense considering what the filmmaker had to work with. The language barrier and the time and cultural differences would create difficulties. Despite its ambiguity, it did give me a better understanding of Maya culture and their way of life. It gave me a sense as to what the Mayans held as important. I liked the fact that the film uses images taken directly from Mayan pottery. This gives the film an authentic feel. We are able to experience the story the same way it was pictured by the Mayans themselves.